
Seta Dadoyan: Artwork and the Dialectics of Truth Content
April 03, 2025
07:00 pm - 09:00 pm (EST)
AGBU Global Headquarters
55 East 59th Street
New York,
NY
10022
United States
Free
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Event details
The third in the series of “Counterpoints," this talk deals with Professor Seta B. Dadoyan’s aesthetic philosophy and artworks in terms of encounters and convergences in her experiences. Her theories focus on the autonomy of art, its cognitive importance, social-historical embeddedness, the “culture industry,” “truth-content,” and “concretization” as criteria for aesthetic judgments.

Seta B. Dadoyan
Scholar
Prof. Seta B. Dadoyan is a prominent Armenian scholar and academic. She holds a Doctor of Sciences degree in Philosophy and has over a dozen volumes in leading academic publications to her credit. She is also a prolific painter. In addition to her research and writings on Philosophy, History, and Western Armenian culture, Dadoyan’s groundbreaking research initiated the discipline of Islamic-Armenian interactive history in the Near East. She has been Professor of Cultural Studies, Philosophy, and Art History at AUB and later taught at Columbia University, the St. Nersess Seminary, University of Chicago, and Yerevan State University. Professor Dadoyan has received numerous awards including the Society of Armenian Studies’ “Lifetime Achievement Award,” the Catholicosate of Cilicia’s “St. Mesrop Mashtots Medal'' and the highest “Medal and Diploma of David Invictus/Anhaght'' from the National Academy of Sciences of Armenia.
Counterpoints Lecture Series
“Counterpoints: Philosophy, Historiography, Art” is the broad title of a “discursive” triangle of talks by Professor Dadoyan. It is intended to be a continuum of interconnected dialectical discourses in philosophy, historiography and aesthetics. The initiative was occasioned by her publication Encounters and Convergences. A Book of Ideas and Art (2023). The discussions are analyses of the perceptions, sensibilities, thoughts, contradictions, tensions, insights, also the formal and methodological elements and criteria that go into the making of a relevant, authentic, engaging, and compelling artifact. It may be a historical text, a painting/drawing, a film, a melody, or any other “object.” The “triangle” also serves as a ‘prologue’ to an exhibit of her artworks later in 2025.

Atamian Hovsepian Curatorial Practice
Atamian Hovsepian Curatorial Practice (Est. 2022) is a project-based curatorial initiative located in New York City and Yerevan. AHCP invests in long-term collaborations with artists, nurturing and developing rigorous and experimental practices, to bring vital new voices to the public. The practice recognizes art as a transformative force and a vehicle for social change. We are committed to affirming, developing, and supporting the many underrepresented voices creating outstanding art. This includes women, LGBTQ+ and artists of color, practices whose methods, forms and expressions have been marginalized. We collaborate with universities, museums, and other institutions to curate challenging art exhibitions, workshops, readings, and film screenings.
arts@agbu.org
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